Blindead 23, formerly known as Blindead, is the new Polish avant-metal juggernaut led by ex-Behemoth guitarist Mateusz “Havoc” Smierzchalski, with a stellar lineup also including
Canadian progressive rock duo Crown Lands have steadily emerged as one of the genre’s most ambitious modern voices. Following their JUNO Award-winning self-titled debut in
Irish indie artist The Butterfly Graveyard is located somewhere between The Blue Nile, Jeff Buckley and the deep blue sea. He makes a fragile music, soft as a butterfly’s
17 year old Lauren Wallace is an emerging Irish singer-songwriter from Dublin whose emotionally rich songwriting and contemporary pop-leaning sound has quickly earned her national radio, press
Rising metaphysical baddiecore duo THE PRETTY WILD have released the official music video for “zero.point.genesis“, the title track from their recently released album of the same name (via
British avant-pop artist and multi-instrumentalist Maddie Ashman releases her debut EP ‘Her Side’ via AWAL. The EP release is accompanied by a music video for
“Brat punk” pioneer DELILAH BON returns with fire and rage with the surprise drop of her new track. ‘ILLEGAL ALIENS‘ is a protest song in retaliation to
Ziggy Marley shares new single Many Mourn For Bob, a powerful tribute to the legacy of his father, the legendary Bob Marley, released to mark what
How I Became A Wave today release a mesmerising video to accompany their latest single ‘Sea Swell’. In keeping with the project’s inherent spirit of cross-discipline
House music icon Roger Sanchez returns with a brand-new single ‘Come My Way’ out now across all digital platforms. A defining figure in electronic music for more than three decades, Sanchez continues
Lamisi’s single “Painkiller”, the closing track on Let Us Clap, came together in the room through a xylophone line, a chant and hands clapping. Built on
Legendary rock/power-pop artist Donnie Vie has released the single, “Plain Jane,” on limited-edition 7-inch vinyl and across all major digital platforms. The release is backed with the B-side (a cover of
