Yngwie Malmsteen’s recent concert at The Button Factory in Dublin was a masterclass in neo-classical shred and rock and roll showmanship, marking his first return to the Emerald Isle in two decades. The intimate, sold-out venue was the perfect setting for a night of virtuosic guitar work and theatrical flair.
The evening kicked off with French trio Spirit War (who I unfortanatly didn’t get in in time to photograph, sorry guys traffic), a heavy metal rock band who sound a lot louder than their three piece ensemble would suggest. Following then was Greek band Andry. Their stage presence and powerful symphonic power metal sound immediately captured the crowd’s attention, or maybe it was frontwoman Andry herself who delivered killer vocals (and a killer outfit), while the rest of the band showcased impressive technical runs and a palpable passion for their craft, along with a clear love of theatrics. These guys definitely know how to put on a great show and entertain a crowd of guys waiting to see a guitar legend. Both bands served as a fantastic, high-energy warm-up for the main event…as if he needed it.
When Yngwie took to the stage in front of a gigantic wall of amps, he wasted no time proving why he’s a legend. He was in top form, with his trademark high kicks, guitar spins, and a relentless assault of blistering arpeggios and solos. The setlist was a comprehensive journey through his 40-year career, featuring classics like “Seventh Sign,” “Fire and Ice,” and a captivating intro to “Soldier.” He also treated the audience to more recent material from his album Parabellum.
While some might argue that his playing can be repetitive, his fans know that every solo is a unique and soulful extension of his musical vision for each song. His compositions are often short and sweet, but he packs an incredible amount of exquisite detail into each one. The crowd, a mix of dedicated fans and curious onlookers (clearly dragged along by the aforementioned dedicated fans), was mesmerized by his technical prowess. His guitar solo segment was described by a highly entertained gentleman as “absolutely fuckin’ nuts,” at one point, followed by “never mind your phone, this is actually happening right in front of you” by another as he paid homage to his influences by weaving in tributes to Bach and Paganini, and even a stunning rendition of Brian May’s “Bohemian Rhapsody” solo.
At one point he was actually playing two guitars at the one time, and went on to play a guitar by just its strings.
In short, Yngwie Malmsteen’s Dublin gig was a monumental return that fully repaid the audience’s long wait. It was a show that combined jaw-dropping musical skill with an infectious enthusiasm and an unmissable theatricality, proving he remains a rock god and a master of his craft.
Andry photos:
Yngwie Malmsteen photos:
Photos & words – David McEneaney @experimentzero