Math rockers (I prefer the less wanky term post-rock myself) Adebisi Shank are back after an absence of a half score years. This is their second of two nights at Button Factory. The first night sold out. It’s great they’re back. I shot them at Hard Working Class Heroes in 2009 and they blew me away.
Tonight we’re reassured that they remain noisy and abrasive with their Atari-bloops and loops, heavy distortion, and primarily post-punk-style filthy bass-driven melodies. Vincent McCreith is replete with red head mask, jumping and kicking his way around the stage. Larry Kaye squirms around worm-like behind a hundred pedals, and Michael Roe thrashes away in near darkness, illuminated occasionally from behind by the bright, old school computer-style graphics on the screens.
‘Start A Band’ is a short, thunderous shock of really tight chaos and ‘Orange Splash’ is bit like speed-enhanced disco fed through Throbbing Gristle, both from their new 10″ EP.
During the encore McCreith climbs off the stage and gets everyone around him onto their knees. At the end of the gig he and Kaye pass their guitars into the crowd.
Adebisi Shank have returned with more, and I look forward to even more.
Adebisi Shank photos:
Photos & words Cormac Figgis @themasterswitch
After making her mark as one half of Sweden’s fast-rising duo Lover’s Skit, Nathalia Aránguiz…
Renowned composer and pianist Antoni O’Breskey has today released the live music video for new…
After a whirlwind couple of years including performances in the US and across Europe, signing an international publishing…
There are few things quite like a packed 3Olympia Dublin when the lights go down,…
Carsie Blanton is a songwriter with hooks, chutzpah, and revolutionary optimism. A radical folk artist…
Essex natives BEYOND EXTINCTION are one of the most exciting bands in UK deathcore right…