Over 14 years and five albums, Canadian singer/songwriter Afie Jurvanen — a.k.a. Bahamas — has specialized in the sort of tunes that feel as comfortable as your favorite beaten-up pair of jeans: familiar in form, but embedded with a uniquely personal history. His repertoire abounds with the sort of instantly cozy songs — be it folky ballads, breezy yacht-rock jams, or bluesy shitkickers — that you’d swear you know from decades of listening to oldies radio (or, more likely, Spotify, where signature serenades like 2012’s “Lost in the Light” and 2014’s “All the Time” have moved well beyond the 100-million stream mark). But on closer inspection, his writing teems with quirks that are entirely his own, as he wields a sly, self-deprecating sense of humor to transform relatable observations on domesticity and aging into absurdist Seinfeldian vignettes. As the title of his sixth album makes clear, if Bahamas was indeed a pair of jeans, they’d surely be Bootcut: a modern take on traditional styles, rugged yet refined, tight in execution but loose in vibe. Fittingly, the album was recorded in the spiritual homeland of wholesome, denim-clad songcraft: Nashville.
BAHAMAS ANNOUNCE HEADLINE FOR THE WORKMAN’S CLUB, DUBLIN
WEDNESDAY, 5 NOVEMBER 2025
Tickets €21.00 plus booking fees on sale Friday, 13 June at 10amfrom www.singularartists.ie
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