New York-based band A Place To Bury Strangers release ‘Acid Rain‘, the second single from their new rarities album, ‘Rare And Deadly‘, out 3rd April via Dedstrange. Following lead single, ‘Everyone’s The Same’, ‘Acid Rain’ was born out of the first Trump presidency and pulses with unruly energy.
Reflecting on the track and era, Oliver Ackerman says, “Cruelty felt not just normalized, but weaponized. Watching people in power openly coerce others into silence, compliance, and violence was horrifying, and still is. What shook me most was how casual it all felt, how easily people turned their heads while others were being crushed.” In the song’s opening lines, Ackerman sings: “Cover your eyes // Cover your face // Walk in line // Don’t embrace.”
He continues: “The chanting at the beginning was recorded during the George Floyd protests in Manhattan and Brooklyn, real voices, real streets, real fear mixed with hope. For a moment, it felt like maybe people would finally wake up and refuse this racist machinery. But here we are, still watching detention centers, modern slavery, and countless other atrocities continue under different names. ‘Acid Rain’ is rage, grief, and disbelief all colliding at once, the sound of watching history repeat itself while knowing exactly how wrong it is.”
The accompanying video was shot on 16th January 2026, for one song, one stop and a bridge, A Place to Bury Strangers took over the New York City subway and turned it into a moving stage for a raucous rendition of ‘Acid Rain’. The track detonates in real time as the train makes its way through the Williamsburg Bridge into the Lower East Side, no choreography, no script. All this industrial pulse and feedback over screeching train tracks was shot guerrilla-style; this video is not a reenactment. It’s a live wire running through a frozen subway car of lucky witnesses who showed up anyway. Bold, relentless and built to last. New York at its finest.
‘Rare and Deadly’ cracks open a decade-long vault of raw nerve and sonic chaos from A Place To Bury Strangers. Spanning 2015–2025, this collection of demos, B-sides, abandoned experiments, and forgotten fragments reveals the band at their most unfiltered—caught between breakthrough ideas and beautiful mistakes. Pulled from Ackermann’s personal archive of late-night recordings, blown-out tapes, and half-finished sessions, here the interference is closer, the electricity more dangerous, the edges left jagged on purpose.
What makes ‘Rare and Deadly’ truly unprecedented is that every format tells a different story. The CD, cassette, vinyl, and digital editions each feature their own unique tracklisting, a fractured release strategy that is almost unheard of. No single version contains the “complete” album. Instead, each format becomes its own window into the archive, revealing alternate paths, missing links, and parallel versions of the band’s inner life. It’s a deliberately unstable document: the album shifts depending on how you choose to hear it, mirroring the chaos of its creation.
Across these recordings, you can hear the evolution of Ackermann’s restless mind. Some pieces feel like prototypes for future chaos, seeds that later bloomed on studio albums. Others are dead ends—ideas too volatile, too strange, or too personal to ever fit the frame of a proper release. But together they form a secret history of the band, a parallel world of possibilities that existed just outside the spotlight. The tracks contain riffs mutated by malfunctioning pedals, songs born from gear pushed past its limits, or delicate melodies overwhelmed by walls of feedback until only their ghosts remain.
‘Rare and Deadly’ is less a compilation and more a documentary—an aural snapshot of how sound takes shape before it hardens into something finished. You hear the room, the accidents, the restless experimentation, the immediacy of a moment being captured before it disappears. It’s a reminder that A Place To Bury Strangers has always thrived in this in-between space: the tension between control and collapse, melody and noise, beauty and distortion.
PRE-ORDER ‘RARE AND DEADLY’ HERE
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