Belfast shoegazers Silk – release their  mini album  ‘Auralux’, you can read our review here

On Auralux, the six-track mini album from shoegaze project Silk, Michael Smyth proves a singular vision can feel expansive. Opening with the title track, the record immediately blooms into a haze where celestial, euphoric guitars dovetail with crushing sheets of fuzz, while cascading reverse reverbs melt into one another.

Lead single “Clementine” anchors the set with a bittersweet hook, balancing melody and drift. “July” and “Slide Away” push deeper into gauzy textures, before “August” exhales into something more reflective. Closer “Pleasures” lands with quiet gravity.

”Auralux” opens the mini album with a wash of sound that feels both overwhelming and strangely distant. A choir of shimmering guitars swells into walls of fuzz, anchored by huge, deliberate drums that pulse beneath the haze. Everything is awash in ethereal reverbs, creating a sense of weightless immersion. The vocals, buried two floors below the mix in true shoegaze fashion, become another texture rather than a focal point. It’s less about clarity and more about atmosphere, pulling the listener into a dense, dreamlike blur that sets the tone for everything that follows from the first note to the end.

“Clementine” kicks off in a haze of feedback, immediately setting a raw, immersive tone. Thick fuzz guitars dominate the mix, their weight amplified by pummeling drums that hit with relentless force. Beneath it all, a fuzzed out bass weaves a surprisingly melodic counterpoint, grounding the chaos while subtly elevating the vocals. Lyrically, the song leans into big, familiar questions time’s unstoppable pull and the fragility of memory without feeling overworked. Instead, it channels those themes through sheer sonic intensity. The result is a track that feels both heavy and reflective, marrying noise and nuance in a way that lingers after it fades.

“July” leans fully into a classic shoegaze haze, letting its chorus sit boldly at the forefront while everything else swirls around it. Fuzzed guitars bloom and blur, washing over the listener in thick, gauzy waves, as a mellon collie style lead line drifts with wistful ease. Beneath it all, a constant kick drum pounds steadily, an unrelenting anchor that grounds the track’s dreamy disorientation and gives its lush noise a sense of forward motion. It lingers after the final fade.

Across its concise runtime, ”Auralux” covers surprising sonic ground without losing cohesion. Smyth’s lyrics circle mortality, memory, loss, love, and time, often impressionistic but emotionally direct. It’s a record that feels both intimate and widescreen, equally suited to solitary late-night listening and overwhelming immersion. ”Auralux” lingers like a half-remembered dream, its edges blurred but its feeling unmistakably vivid, that echo long after the note fades.

Track list:
Auralux
Clementine
July
Slide Away
August
Pleasures

The album can be ordered via https://silkband.bandcamp.com or https://www.blowtorchrecords.com on limited edition purple, gold, orange and white splatter vinyl (pressing of 200) or available on very limited edition CD via https://shorediverecords.bandcamp.com

The album scores a 9 out 0f 10

Reviewer  – Ian Mc Donnell @mcgigmusic